Gunpowder Paintings of Cai Guo-Qiang. Guilin: Lijang Publishing House, 1989. With statements by the artist. In Chinese and English.


Goldberg, RoseLee. Performance: Live Art since 1960, p. 60. New York: Harry N. Abrams, 1998. In English.

Kastner, Jeffrey, ed. Land and Environmental Art, pp. 132, 247. London: Phaidon Press Limited, 1998. In English.


Ni Tsai-Chin. No Destruction, No Construction: Bombing Taiwan Museum of Art. Taichung: Taiwan Museum of Art, 1999. With statements by the artist and Ni Tsai-Chin. In Chinese and English.


Asian Collection 50: From the Collection of the Fukuoka Asian Art Museum, pp. 40–41. Fukuoka: Fukuoka Asian Art Museum, 2000. In Japanese.

Fresh Cream: Contemporary Art in Culture, pp. 172–177. London: Phaidon Press Limited, 2000. In English.

Remain in Naoshima: Naoshima Contemporary Art Museum, pp. 140–51, 238, 244–245, 249. Okayama: Benesse House, 2000. In Japanese and English.


Developing the Collection: Acquisitions 1999–2001, p. 51. Canberra: National Gallery of Australia, 2001. In English.


Charbonneaux, Anne-Marie, and Norbert Hillaire. Oeuvre et lieu: essais et documents, pp. 18–34, 228. Paris: Flammarion, 2002. In French.

Friis-Hansen, Dana, and Octavio Zaya, and Serizawa Takashi. Cai Guo-Qiang. London: Phaidon Press Limited, 2002. In English.

Hou Hanru, and Hsiao-hwei Yu. On the Mid-Ground, pp. 54–63, 64–73, 74–89, 92–101. Hong Kong: Timezone 8 Limited, 2002. In English.


Elderfield, John, ed. Visions of Modern Art: Painting and Sculpture from The Museum of Modern Art, pp. 2, 305–306. New York: Museum of Modern Art, 2003. In English.


MoMA Highlights: 350 Works from The Museum of Modern Art, New York, p. 362. New York: Museum of Modern Art, 2004. In English.

Pereira, Sharmini, ed. Cai Guo-Qiang: Man, Eagle and Eye in the Sky. London: Albion/Michael Hue-Williams Fine Art Ltd., 2004. With essays by the artist, Jennifer Wen Ma, Sharmini Pereira, and James Putnam. In English.


Collection Art Contemporain, p. 98. Paris: Éditions du Centre Pompidou, 2007. In French.

Sollins, Marybeth, and Susan Sollins, eds. Art: 21. Art in the Twenty-First Century 3, pp. 46–57, 226, 230. New York: Art21, Inc. and Harry N. Abrams, Inc., 2005. In English.

Vitamin D: New Perspectives in Drawing, pp. 48–49, 337. London: Phaidon Press Limited, 2005. In English.


Pasternak, Anne, ed. Creative Time the Book: 33 Years of Public Art in New York City, pp. 162–

165. New York: Creative Time and Princeton Architectural Press, 2007. In English.


Albertini, Claudia. Avatars and Antiheroes: A Guide to Contemporary Chinese Artists, pp. 16-

19. Tokyo: Kodansha International Ltd., 2008. In English.

Holzwarth, Hans Werner, ed. Art Now. Vol. 3: A Cutting-Edge Selection of Today’s Most 

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Poli, Francesco. Postmodern Art 1945Now, p. 298. New York: Harper Collins, 2008. In 


Vine, Richard. New China, New Art, pp. 64–68. London, Munich, and New York: Prestel, 2008. 

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Holzwarth, Hans Werner. 100 Contemporary Artists, pp. 94–99. Köln: Taschen, 2009. In 


Kataoka, Mami. The Encyclopedia of Modern and Contemporary Art, p. 132. Tokyo: Bijitsu 

Techo, 2009. In Japanese.

Liu, Chenhsiang. In Between the Moments: Cloud Gate in a Photographer’s Memory. Taipei: Dakuai Culture Publishing Co., Ltd., 2009. In Chinese.

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Mythologies, pp. 46–49. London: Haunch of Venison, 2009. In English.


Herz, Rebecca Shulman. Looking at Art in the Classroom: Art Investigation from the Guggenheim, pp. 46-49, 92, 102. New York: Teachers College Press, 2010. In English.

HasegawaYuko. A Guide to the Contemporary Art for Young Women: The Mot Collections, pp. 88-91. Tokyo: Tankosha Publishing Co., Ltd., 2010. In Japanese. 

Izumiya Gensaku. Is the Fireworks of Japan the Best of the World? Tokyo, Japan: Kodansha International Ltd., 2010. In Japanese.

Martin, Weyl. On Stench and Beauty: The Greening of Israel’s Largest Garbage Dump. Tel Aviv: Am Oved Publishers, 2010. In Hebrew.

Pollack, Barbara. The Wild, Wild East: An American Art Critic’s Adventures in China, pp. 9, 15-16, 18, 60-61, 63, 65, 91-92, 115, 131, 147, 149, 184-191, 219, 223, 228. Hong Kong: Timezone 8 Limited, 2010. In English.

Robertson, Jean, and McDaniel, Craig. Themes of Contemporary Art: Visual Art after 1980 (2ndEdition), pp. 9, 10, 14, 22, 23. New York: Oxford University Press, 2010. In English.

Visser, Robin. Cities Surround the Countryside: Urban Aesthetics in Postsocialist China, pp. 73-74, 289. Durham, NC: Duke University Press, 2010. In English.

Wang Yin. Wild Flights of Fancy: Cai Guo-Qiang and Peasant da Vincis. Guilin, China: Guangxi Normal University Press, 2010. In Chinese. 

Wu Hung. Contemporary Chinese Art: Primary Documents. New York: The Museum of Modern Art, 2010. In English.

Zelanski, Paul, and Mary Pat Fisher. The Art of Seeing (8th Edition), p. 349. New Jersey: Prentice Hall, 2010. In English. 


de Baranao, Kosme, ed. Support/Surface. El paisaje en la praxis artistica contemporanea, pp. 89-115. Presval, 2011. In Spanish.

Brand, Jan Garden. Colour in Time, pp. 300-1. Arnhem: ArtEZ Press; Terra Lannoo, 2011.

Chiu, Melissa, and Benjamin Genocchio. Contemporary art in Asia: a critical reader, p. 187. Cambridge, Mass: MIT Press, 2011. In English.

Chung, Anita, and Baoshi Fu, Julia Frances Andrews, Cleveland Museum of Art, Metropolitan Museum of Art. Chinese Art in an Age of Revolution Fu Baoshi (1904-1965), p. 50. Cleveland: Cleveland Museum of Art and New Haven: Yale University Press, 2011. In English.

Dong, Song. Dad and Mom, Don’t Worry About Us, We Are All Well, pp. 14-15. San Francisco, CA: Yerba Buena Center for the Arts, 2011. In English.

Frank, Patrick. Prebles’ Artforms – An Introduction to the Visual Arts Tenth Edition, p.187. New Jersey: Prentice Hall, 2011. In English.

Gatto, Joseph A., and Albert W. Porter, Jack Selleck. Exploring Visual Design Fourth Edition, p.123. Worcester, Massachusetts: Davis Publications, Inc., 2011. In English.

Hopfener, Birgit, ed. Negotiating difference. Chinese contemporary art in the global context, pp. 75-97. Kromsdorf/weimar: VDG-Verlag Bettina Preiss, 2011. In English.

Jodidio, Philip, ed. Architecture now! Houses Vol. 2, pp. 386-389. Cologne: Taschen, 2011.

Modrak, Rebekah. Reframing Photography: Theory and Practice, pp. 114-115. New York: Routledge, 2011. In English.

Muller, Lars. Insular Insight: Where Art and Architecture Conspire with Nature, pp. 98-99, 220-221. Okayama: Fukztake Foundation; Baden: Lars Muller, 2011. In English.

Robertson, Jean. Themes of Contemporary Art: Visual Art after 1980, p. 15. Translated by Kuang Xiao. Nanjing: Jiangsu Fine Arts Publishing House, 2011. In Chinese.

Robertson, Jean, and Craig McDaniel. Themes of Contemporary Art: Visual Art after 1980, pp. 33, 50. Seoul: Doosung Publishing Co., Ltd., 2011. In Korean.

Smith, Terry. Contemporary Art World Currents, pp. 164-165. Upper Saddle River: Prentice Hall, 2011. In English.

Van Uffelen, Chris. Art in public: 500 masterpieces from the ancient world to the present, p. 158. Salenstein: Braun Publishing, 2011.

Weibel, Peter. Car Culture Medien der Mobilitat, pp. 38-39. Karlsruhe: ZKM Zentrum für Kunst und Medientechnologie, 2011. In English. 


Andrews, Julia F, and Kuiyi Shen. The Art of Modern China, p. 270. University of California Press, 2012. In English.

An Essential Guide to the Contemporary Artists: from the 1980s to Today, p. 85. Tokyo: Bijutsushuppansha, 2012. In Japanese.

Bird, Michael. 100 ideas that changed art, p. 207. London: Laurence King Pub, 2012. In English.

Chu, Joel, ed. You don’t want to close your eyes, pp. 229-268. Hong Kong: Communion W Ltd., 2012. In English.

Chung, Sheng Kuan, ed. Teaching Asian Art: Content, Context, and Pedagogy, pp. 209-214. Reston, VA: National Art Educucation Association, 2012. In English.

Miyake, Issey, and Midori Kitamura. Pleats Please, pp. 320-333. London: Taschen, 2012. In French and English.

Pang, Laikwan. Creativity and its discontents: China’s creative industries and intellectual property rights offenses, pp. 210-211. Durham, NC: Duke University Press, 2012. In English.

Ulrich Obrist, Hans, and Ginevra Elkann, Philip Tinari. The future will be… the China edition, thoughts about what’s to come, pp. 42-43. Turin: Pinacoteca Giovanni e Marella Agnelli, and Ullens Center for Contemporary Art, 2012. In Chinese anad English.


Amirsadeghi, Hossein and Maryam Eisler ed. Art Studio America: Contemporary Artist Spaces, pp. 264-267, 273. London: Thames & Hudson, Ltd., 2013. In English.

Bee, Harriet Schoenholz, and Cassandra Heliczer, Sarah McFadden, eds. Moma Highlights: 350 Works from The Museum of Modern Art New York, p. 358. New York: The Museum of Modern Art, 2013. In English.

Hayashi Yoko. Ajia afurika to atarashii chōryū, pp. 83-94. Tokyo: Kyōtozōkeigeijutsudaigakutōhokugeijutsukōkadaigakushuppankyokugeijutsugakusha, 2013. In Japanese.

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Kusumi Kiyoshi. Rokku no bijutsukan, p. 230. Tokyo: Shinkōmyūjikkuentateimento, 2013. In Japanese.

Mackenzie, Colin, and Keith L. Pratt, Jeffrey Moser, and Katie Hill. The Chinese Art Book, p. 21. London: Phaidon Press Limited, 2013.

Moszynska, Anna. Sculpture now, p. 24. New York: Thames & Hudson, 2013. In English.

Petry, Michael. Nature Morte, pp. 192, 194-195. New York: Thames & Hudson, Inc, 2013. In English.

The Wharf Art Collection 2010-2012, pp. 26-27Hong Kong: The Wharf (Holdings) Limited, 2013. In Chinese and English.

Turner, Alexis. Taxidermy, pp. 224-225. Fanborough: Thames & Hudson, Ltd., 2013. In English.

Widmer, Richard, ed. Passage to History: 20 Years of La Biennale di Venezia and Chinese Contemporary Art. Beijing: Zhongguo qing nian chu ban she, 2013. In Chinese. 

— — —, ed. Passage to History: 20 Years of La Biennale di Venezia and Chinese Contemporary Art: Archives. Beijing: Zhongguo qing nian chu ban she, 2013. In Chinese and English.

— — —, ed. Passage to History: 20 Years of La Biennale di Venezia and Chinese Contemporary Art: Interview Collection, pp. 292-303. Beijing: Zhongguo qing nian chu ban she, 2013. In Chinese.

Wong Mingsien. City Landscape, pp. 178, 192. Beijing: China and Art Publishing House. In Chinese.

Works from The Museum of Modern Art New York, p. 358. New York: The Museum of Modern Art, 2013. In English.


Hicks, Alistair. The Global Art Compass, pp. 95-102, 132, 149, 211. London: Thames & Hudson, Ltd., 2014. In English.

Goodrow, Gerard A. Crossing China: Land of the Rising Art Scene, pp. 32-33, 337-338, 340-343, 353-354. Cologne: DAAB Media GMBH, 2014. In English.

Ward, Ossian. Ways of Looking: How to Experience Contemporary Art, p. 85. London: Laurence King Publishing Limited, 2014. In English.


Follia Continua !: 25 years of Galleria Continua, pp. 64-67, 314-317. Prato: Gli Ori, 2015. In English.

Kitagawa, FramArt Place Japan:  the Echigo-Tsumari Triennale and the vision to reconnect art and nature, pp. 224-227. New York: Princeton Architectural Press, 2015. In English.

Tsuji, Nobuo, Takeo Izumi, et als. The selected works of Japanese Art, vol. 19 ‘Extending Art after the war’, p. 200. Tokyo: Shōgakukan, 2015. In Japanese.

Bee, Harriet Schoenholz. Cassandra Heliczer, eds, et als. MoMA Highlights: 350 Works from the Museum of Modern Art New York, p. 358. New York: Museum of Modern Art, 2015. In Japanese.

Go East: the Gene & Brian Sherman Contemporary Asian Art Collection, p. 12-13. Paddington: Sherman Contemporary Art Foundation and the Art Gallery of New South Wales, 2015. In English.


Davies, Penelope J E. Janson’s History of Art: The Western Tradition, p. 5, 100. Boston: Pearson, 2016. In English.
Turner, Caroline. Jen Webb. Arts and human rights, pp. 76, 170-178. Manchester: Manchester University Press, 2016. In English.
Thea, Carolee. Carolyn Christov-Bakargiev. On Curating 2 : paradigm shifts : interviews with fourteen international curators, pp. 89-90. New York: D.A.P, 2016. In English.
Hjorth, Larissa. Sarah Pink, et als. Screen Ecologies: Art, Media, and the Environment in the Asia-Pacific Region, pp. 126-127. Cambridge: The MIT Press, 2016. In English.
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