Group Exhibition Catalogues


Tama-River Fussa Outdoor Sculpture Exhibition, unpaginated. Fussa: Tamagawa Fusa Yagi Bijutsu tenji mukyoku, 1989. In Japanese and English.


Art Chinoise 1990: Chine demain pour hier, pp. 52–55. Paris: Les Domaines de l’art et Editions Carte Segrete, 1990. In French.


Japan Ushimado International Art Festival, unpaginated. Ushimado: Ushimado International Art Festival, 1992. In Japanese and English.


Promenade in Asia, unpaginated. Tokyo: Shiseido Corporate Culture Department, 1994. In Japanese and English.

Watanabe Seiichi, ed. Mito Annual ’94: Open System, pp. 42–48, 63–67, 72, 75–76. Mito: Art Tower Mito Contemporary Art Center, 1994. In Japanese and English.

Well-Spring: Messages and Revelations by Contemporary Artists to Animate the Ancient City of Bath, pp. 14–15, 34–35, 44. Bath: Bath Festival Trust, 1994. In English.


Art In Japan Today: 1985–95, pp. 48–53, 154–155. Tokyo: Museum of Contemporary Art, 1995. In Japanese and English.

Contemplation: ’95 Joong-ang Biennial Special Exhibition, pp. 74–75, 80–83, 150. Seoul: Ho-Am Art Museum, 1995. In Korean and English.

Heart of Darkness, pp. 11, 15, 70–71, 84–97, 201. Otterlo: Kröller-Müller Museum, 1997. In English.

TransCulture: La Biennale di Venezia 1995, pp. 15, 22–23, 72, 76–77, 99–104, 181. Tokyo: The Japan Foundation and Fukutake Science and Culture Foundation, 1995. In Japanese and English.


Between Earth and the Heavens: Aspects of Contemporary Japanese Art II, ed. Yamawaki Kazuo, pp. 10–15, 26–28, 34–37, 59–62. Nagoya: Nagoya City Art Museum, 1996. Editions in Japanese, English, and Spanish.

Michelsen, Anders, and Octavio Zaya. Interzones: A Work in Progress, pp. 90–97. Copenhagen: Kunstforeningen Copenhagen, 1996. In English.

de Rode Poort (The Red Gate), pp. 32–35, 155, 164, 172–173. Ghent: Museum van Hedendaagse Kunst Gent, 1996. In Dutch and English.

The Hugo Boss Prize 1996, pp. 51–59. New York: Guggenheim Museum, 1996. In English.

The Second Asia-Pacific Triennial of Contemporary Art, pp. 36, 58–59, 128. Brisbane: Queensland Art Gallery, 1996. In English.

Universalis: 23rd International Biennial São Paulo, pp. 230–235. São Paulo: Fundação Bienal de São Paulo, 1996. In Portuguese and English.


Performance Anxiety, pp. 14, 38–41, 71, 79. Chicago: Museum of Contemporary Art, 1997. In English.

Promenade in Asia, pp. 36–51. Tokyo: Shiseido Corporate Culture Department, 1997. In Japanese and English.


Elliott, David, and Pier Luigi Tazzi, eds. Wounds: Between Democracy and Redemption in Contemporary Art, p. 134. Stockholm: Moderna Museet, 1998. In Swedish and English.

Gao Minglu, ed. Inside Out: New Chinese Art, pp. 13–14, 33–34, 71–72, 186–188. San Francisco: San Francisco Museum of Modern Art and New York: Asia Society Galleries, 1998. In English.

Nemiroff, Diana, ed. Crossings, pp. 86–93, 188. Ottawa: National Gallery of Canada, 1998. In English.

Palmer, Alice and Maudie Palmer. Remanence, pp. 16–17, 38. Melbourne: Melbourne International Festival of the Arts, Limited, 1998. In English.

Site of Desire: 1998 Taipei Biennial, pp. 50–53, 194, 204. Taipei: Taipei Fine Arts Museum, 1998. In Chinese and English.


Beyond the Future: The Third Asia-Pacific Triennial of Contemporary Art, pp. 196–197, 268. Brisbane: Queensland Art Gallery, 1999. In English.

Hiriya in the Museum: Artists’ and Architects’ Proposals for Rehabilitation of the Site, pp. 110–115. Tel Aviv: Tel Aviv Museum of Art, 1999. In Hebrew and English.

Kunst Welten im Dialog von Gauguin zur Globalen Gegenwart, pp. 390–393, 517, 560. Köln: Museum Ludwig, Köln, 1999. In German.

Panorama 2000: Art in Utrecht Seen from the Dom Tower, pp. 36–39. Amsterdam: Centraal Museum, 1999. In Dutch and English.

Zeitwenden Ausblick, pp. 66–69. Köln: Dumont and Kunstmuseum Bonn, 1999. In German.


Anderson, Maxwell Lincoln. Whitney Biennial: 2000 Biennial Exhibition, pp. 68–69, 232, 260. New York: Whitney Museum of American Art, 2000. In English.

Issey Miyake: Making Things, pp. 52–53, 94–99, 170. Paris: Fondation Cartier and Actes Sud, 2000. Editions in French and Japanese.

Martínez, Rosa. Looking for a Place, pp. 32–33, 46–47, 114, 121. Santa Fe: SITE Santa Fe, 2000. In English.

Morin, France, ed. The Quiet in the Land, Everyday Life, Contemporary Art and Projeto Axé, pp. 100–105. Bahia: Museu de Arte Moderna da Bahia, 2000. In Portuguese and English.

Outbound: Passages from the 90’s, pp. 28–33, 110. Houston: Contemporary Arts Museum, Houston, 2000.

Over the Edges, pp. 54–57, 275–276. Ghent: Stedelijk Museum voor Actuele Kunst, 2000. In Dutch, French, and English.

Varnedoe, Kirk, ed. Modern Contemporary: Art at MoMA Since 1980, pp. 484, 513, 550. New York: Museum of Modern Art, 2000. In English.


Busch, Bernd, and Johann Georg Goldammer. Feuer, pp. 586–600. Bonn: Kunst und Ausstellungshalle der Bundesrepublik Deutschland GmbH, 2001. In German.

Roelstraete, Dieter. Sonsbeek 9: LocusFocus, pp. 28–30. Arnhem: Stichting Sonsbeek, 2001. In Dutch and English.

Sans, Jérôme, and Pier Luigi Tazzi. Arte all’Arte: Arte Architettura Paesaggio, pp. 48–71. San Gimignano and Siena: Associazione Arte Continua and Gli Ori, 2001. In Italian and English.

Ulmer, Sean. Uncommon Threads: Contemporary Artists and Clothing, pp. 12, 48. Ithaca: Herbert F. Johnson Museum of Art, 2001. In English.


EV+A 2002: Heroes + Holies, pp. 76–77. Limerick: EV+A, 2002. In English.

International Triennale of Contemporary Art: Yokohama 2001, pp. 90, 164–165, 376, 390. Yokohama: The Organizing Committee for Yokohama Triennale, 2001. In Japanese and English.

Malerei ohne Malerei, pp. 92–97, 140–142. Leipzig: Museum der bildenden Künste, 2002. In German and English.

Morgan, Jessica, ed. Pulse: Art, Healing and Transformation, pp. 89–91. Göttingen: Steidl and Boston: Institute of Contemporary Art, 2003. In English.

Paris-Pékin, pp. 66–67. Paris: Chinese Century and Ullens, 2002. In Chinese, French, and English.

Tokachi International Contemporary Art Exhibition: Demeter, pp. 33–40, 126, 158, 169, 179, 187–188. Tokyo: Tokachi International Contemporary Art Exhibition Committee, 2002. In Japanese and English.

Wu Hung. The First Guangzhou Triennial—Reinterpretation: A Decade of Experimental Chinese Art (1990–2000), pp. 404–405. Chicago: Art Media Resources, Ltd., and Guangzhou: Guangdong Museum of Art, 2002. In Chinese and English.


Alors, la Chine? pp. 124, 398, 409, 446–447. Paris: Éditions du Centre Pompidou, 2003. Editions in French and English.

Echigo-Tsumari Art Triennial, pp. 89–90. Tokyo: Gendai Kikaku-shitsu, 2003. In Japanese and English.

Somewhere Better Than This Place: Alternative Social Experience in the Spaces of Contemporary Art, pp. 125–127, 211. Cincinnati: Contemporary Arts Center, 2003. In English.


Hug, Alfons, ed. 26th Bienal de São Paulo, pp. 278–283, 317. São Paulo: Fundação Bienal de São Paulo, 2004. In Portuguese and English.

The Snow Show, pp. 22–29. Rovaniemi: Rovaniemi Art Museum, 2004. In Finnish and English.


de Corral, María, and Rosa Martínez. 51. International Art Exhibition: Participating Countries, Collateral Events, pp. 106–109. Venice: Fondazione La Biennale di Venezia, 2005. Editions in Italian and English.

Durham, Jimmie, et. al. Arte all’Arte 2005: Arte Architettura Paesaggio, pp. 34–41. San Gimignano: Associazione Arte Continua. In Italian and English.

Platow, Raphaela. DreamingNow, pp. 32–37, 72–73. Waltham: Rose Art Museum of Brandeis University, 2005. In English.

Zhang Zhaohui. Where Heaven and Earth Meet: Xu Bing and Cai Guo-Qiang, pp. 10–15, 20–43, 51–53, 62–63. China: Timezone 8 Limited, 2005. In Chinese and English.


Wu Hung. Shu: Reinventing Books in Contemporary Chinese Art, pp. 26–27. New York: China Institute in America, 2006. In English.


Artempo: Where Time Becomes Art, pp. 91, 99. Ghent: Axel Vervoodt, in association with MER. Paper Kunsthalle, 2007. In English.


Academia. Qui es-tu?, p. 159. Ghent: Axel Vervoodt, in association with MER. Paper Kunsthalle, 2008. In English.

Bonami, Francesco, and Sarah Cosulich Canarutto. God & Goods: Spirituality and Mass Confusion. Cordoipo: Villa Manin Centro d’Arte Contemporanea, 2008. In Italian and English.

Foster, Elena, and Rowan Watson, eds. Blood on Paper. London: Ivory Press, 2008. In English.

King, Alice. New Ink Art: Innovation and Beyond, pp. 18, 228–231, 234. Hong Kong: School of Professional and Continuing Education, The University of Hong Kong, 2008. In Chinese and English.

Yee, Lydia, and Francesco Manacorda. Martian Museum of Terrestrial Art, pp. II, 165, 217. London: Barbican Art Gallery in association with Merrell Publishers, 2008. In English.


Stages, pp. 10–11, 51. Paris: Galerie Emmanuel Perrotin, Nike, and Lance Armstrong Foundation, 2009. In English.

The 4th Fukuoka Asian Art Triennale 2009, pp. 102–105. Fukuoka City: Fukuoka Asian Art Museum, 2009. In Japanese and English.


Elliott, David, ed. The Beauty of Distance: Songs of Survival in a Precarious Age, pp. 143, 265. Sydney: Biennale of Sydney, Ltd., 2010. In English.


Haito Masahiko, ed. Aichi Triennale 2010: Arts and Cities Documentary Photo Book, pp. 64-65. Aichi Triennale Organizing Committee, 2011. In Japanese and English.

Perlein, Gilbert. Mamac 20 ans d’art contemporain, pp. 11, 194-198. Nice: SOMOGY, 2011. In French.

Takeshi Sakurai, ed. Water, Fire and Earth: the source of creativity, pp. 30-33. Kumamoto, Japan: Contemporary Art Museum, Kumamoto, 2011. In Japanese.


Bloemheuvel, Marente, and Toos Van Kooten, Doris Von Drathen, Ingrid Commandeur. Windflower Perceptions of Nature, pp. 33-47. Rotterdam: Nai Uitgevers Pub, 2012. In English.

Coulondre, Ariane, and Emmanuelle Ollier. Extra Large, pp. 80-81. Paris: Centre Pompidou, 2012. In English and French.

Dialogues with Contemporary Art from Museum Collection, pp. 78-79. Tokyo: Setagaya Art Museum, 2012. In Japanese.

McFadden, David Revere. Swept Away: Dust, Ashes and Dirt in Contemporary Art and Design, pp. 29-30. New York: Museum of Arts and Design, 2012. In English.


Art Card 2013, p. 21. Berlin: Deutsche Bank AG, 2013. In English. 

Art Gamadas <AG> vol. 11, pp. 6-7, 13. Kumamoto: Contemporary Art Museum Kumamoto, 2013. In Japanese.

Hearn, Maxwell K. Ink Art: Past as Present in Contemporary China, pp. 154, 159-161. New York: The Metropolitan Museum of Art, 2013. In English.

Putnam, James, ed. Glasstress: White Light | White Heat, pp. 65-66. London: London College of Fashion, 2013. In English.

Xu Li. Portrait of the Times: 30 Years of Chinese Contemporary Art, pp. 318-319. Shanghai: Artron Culture Group, 2013. In Chinese and English.


Johnson, Mark Dean and Bera Nordal. China’s Changing Landscape: Contemporary Chinese Ink. Skärhamn: NAM Publication, 2014. In Swedish and English.
Kitagawa, Fran. Echigo-Tsumari Art Triennale Concept Book. Tokyo: Gendaikikakushitsu Publishers, 2014. In Japanese.
Perrin, Alain. Fondation Cartier pour l’art contemporain: Thirty Years for Contemporary Art: Volume I. New York: Thames & Hudson, Inc, 2014. Editions in French and English.
Van de Sompel, Ronald, ed. Art and Culture in Times of Conflict, pp. 12-35, 52-57. Milan: Mousse Publishing, 2014. In English.
The National Museum of Modern Art, Tokyo; Nagoya City Art Museum; Hiroshima City Museum of Contemporary Art; The National Museum of Modern Art, Kyoto; YAGEO Foundation, Taiwan; Daishinsha Inc, ed. Guess What? Hardcore Contemporary Art’s Truly a World Treasure: Selected Works from the YAGEO Foundation Collection. Translated by Pamela Miki Associates, Nanpei Taeko, Ogawa Kikuko, Christopher Stephens, EXIM International Inc., Hosaka Kinjiro, Sumi Naoko. Tokyo: The National Museum of Modern Art, 2014. In Japanese and English.

Heaven and Hell. From Magic Carpets to Drones, edited by Diane Hennebert. Brussels: Fondation Boghossian, 2015. In French and English.
Parasophia: Kyoto International Festival of Contemporary Culture 2015. Edited by Mari Ikezawa and Reiko Kawakado. Kyoto: Parasophia, 2015. In Japanese and English.

Arts & Foods: Rituals Since 1851. Edited by Germano Celant. Milan: Electa, 2015. In English.


Hervé Chandès, Bruce Albert, et als. The Great Animal Orchestra. Paris: Fondation Cartier pour l’art contemporain, 2016. In French and English.


Munroe, Alexandra, Philip Tinari, and Hanru Hou. Art and China After 1989: Theater of the World. New York : Guggenheim Museum Publications, 2017. In English.

Phillips, Sam, ed. Artists Working From Life. London: Royal Academy of Arts, 2017. In English.


The allure of matter : material art from China. Chicago, Illinois: Smart Museum of Art, Distributed by The University of Chicago Press, 2019. Edited by Wu Hung, Orianna Cacchione, Christine Mehring and Trevor Smith. Editions in English.